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The programme has been sold to many other countries worldwide (see [[#Viewership|Viewership]]).
 
==Music==
===Public consciousness===
{{See also|List of Doctor Who composers}}
It has been suggested that the transmission of the first episode was delayed by ten minutes due to extended news coverage of the assassination of US President [[John F. Kennedy]] the previous day; whereas in fact, it went out after a delay of eighty seconds.<ref name="companion">{{Cite book| last = Howe | first = David J. | authorlink = David J. Howe | coauthors = [[Mark Stammers]] and [[Stephen James Walker]] | year = 2003 | title = The Television Companion: The Unofficial and Unauthorised Guide to DOCTOR WHO | edition = 2nd|publisher = [[Telos Publishing|Telos Publishing Ltd.]]| location = Surrey|isbn = 1-903889-51-0}}</ref> Because it was believed that the coverage of the events of the assassination as well as a series of power blackouts across the country may have caused too many viewers to miss this introduction to a new series, the BBC broadcast it again on 30 November 1963, just before the broadcast of episode two.<ref>{{cite web|title=Serial A: 100,000 BC (aka An Unearthly Child, The Tribe of Gum)|url=http://www.shannonsullivan.com/drwho/serials/a.html|publisher=shannonsullivan.com|accessdate=6 September 2013}}</ref><ref>{{cite web|title=DOCTOR WHO'S FIRST EPISODE: AN UNEARTHLY CHILD|url=http://www.televisionheaven.co.uk/dw3.htm|publisher=televisionheaven.co.uk|accessdate=6 September 2013}}{{dead link|date=January 2014}}</ref>
 
===Theme music===
The programme soon became a national institution in the United Kingdom, with a large following among the general viewing audience.<ref>{{cite web
{{Main|Doctor Who theme music}}
|url=http://www.screenonline.org.uk/tv/id/454592/index.html
{{Listen|filename=Doctor Who theme excerpt.ogg|title=Doctor Who theme excerpt|description=An excerpt from the original (1963) classic theme music to ''Doctor Who''}}
|title=Doctor Who (1963–89, 2005–)
|first=Anthony|last=Clark
|work=[[Screenonline]]
| quote = The science fiction adventure series Doctor Who (BBC, 1963–89) has created a phenomenon unlike any other British TV programme.
|accessdate=21 March 2007}}</ref><ref>{{cite web
|url=http://www.museum.tv/archives/etv/D/htmlD/doctorwho/doctorwho.htm
|archiveurl = http://web.archive.org/web/20070211080018/http://www.museum.tv/archives/etv/D/htmlD/doctorwho/doctorwho.htm▼
|archivedate = 11 February 2007▼
|title=Doctor Who
|first=John|last=Tulloch
|work=[[Museum of Broadcast Communications]]
| quote = The official fans have never amounted to more than a fraction of the audience. Doctor Who achieved the status of an institution as well as a cult.
| accessdate=21 March 2007}}</ref> Many renowned actors asked for, or were offered and accepted, [[List of guest appearances in Doctor Who|guest-starring roles]] in various stories.<ref>{{cite web|title=Voyage of the Damned – Cast and Crew|url=http://www.bbc.co.uk/doctorwho/episodes/2007/credits/credits_votd.shtml|publisher=BBC|accessdate=24 October 2013}}</ref><ref>{{cite web|title=Planet of the Dead – Credits|url=http://www.bbc.co.uk/doctorwho/s4/episodes/?episode=s0_06&action=credits|publisher=BBC|accessdate=24 October 2013}}</ref><ref>{{cite web|title=Dinosaurs on a Spaceship – Credits|url=http://www.bbc.co.uk/programmes/b01mm5c9|publisher=BBC|accessdate=24 October 2013}}</ref><ref>{{cite web|title=The Name of the Doctor – Credits|url=http://www.bbc.co.uk/programmes/b01skh8t|publisher=BBC|accessdate=24 October 2013}}</ref>
 
The [[Doctor Who theme music|''Doctor Who'' theme music]] was one of the first [[electronic music]] signature tunes for television, and after five decades remains one of the most easily recognised. It has been often called both memorable and frightening, priming the viewer for what was to follow. During the 1970s, the ''[[Radio Times]]'', the BBC's own [[listings magazine]], announced that a child's mother said the theme music terrified her son. The ''Radio Times'' was apologetic, but the theme music remained.{{cn|date=July 2014}}
With popularity came controversy over the show's suitability for children. Morality campaigner [[Mary Whitehouse]] repeatedly complained to the BBC in the 1970s over what she saw as the show's frightening and gory content.<ref>{{cite web| url = http://www.imdb.com/name/nm0925766/bio | work = IMDb | title = Biography of Mary Whitehouse | accessdate =6 July 2007}}</ref> [[John Nathan-Turner]], who produced the series during the 1980s, was heard to say that he looked forward to Whitehouse's comments, as the show's ratings would increase soon after she had made them.<ref>{{cite news|url= http://news.bbc.co.uk/1/hi/entertainment/new_media/1965981.stm|title=Doctor Who Producer Dies|accessdate=6 July 2007 |publisher=BBC News | date=3 May 2002}}</ref>
 
The original theme was composed by [[Ron Grainer]] and realised by [[Delia Derbyshire]] of the [[BBC Radiophonic Workshop]], with assistance from [[Dick Mills]]. The various parts were built up using [[musique concrète]] techniques, by creating [[tape loop]]s of an individually struck piano string and individual test [[oscillation|oscillators]] and filters. The Derbyshire arrangement served, with minor edits, as the theme tune up to the end of [[List of Doctor Who serials#Season 17 (1979–80)|season 17]] (1979–80). It is widely regarded as a significant and innovative piece of electronic music, recorded well before the availability of commercial synthesisers or multitrack mixers. Each note was individually created by cutting, splicing, speeding up and slowing down segments of [[Magnetic tape sound recording|analogue tape]] containing recordings of a single plucked string, [[white noise]], and the simple [[harmonic]] waveforms of [[Tone generator|test-tone oscillators]], intended for calibrating equipment and rooms, not creating music. New techniques were invented to allow [[Audio mixing (recorded music)|mixing]] of the music, as this was before the era of multitrack tape machines. On hearing the finished result, Grainer was amazed, and famously asked, "did I write that?"{{cn|date=July 2014}}
The phrase "[[Behind the sofa|Hiding behind (or 'watching from behind') the sofa]]" became coined and entered British [[popular culture|pop culture]], signifying in humour the stereotypical early-series behaviour of children who wanted to avoid seeing frightening parts of a [[television program]]me while remaining in the room to watch the remainder of it.<ref name=telegraph>{{cite news |first=Sam |last=Leith |title=Worshipping Doctor Who from behind the sofa |url=http://www.telegraph.co.uk/comment/columnists/samleith/3560202/Worshipping-Doctor-Who-from-behind-the-sofa.html |work=[[Daily Telegraph]] |date=2008-07-04 |accessdate=2008-07-05 |quote=The cliché about ''Doctor Who'' — that it had us "hiding behind the sofa" — is more telling in its tone than its questionable factuality. It connotes nostalgia, and a pleasurable mixture of fright and fascination — but above all it connotes domesticity. It united fear and soft furnishings in the British mind.}}</ref> The phrase retains this association with Doctor Who, to the point that in 1991 the [[Museum of the Moving Image (London)|Museum of the Moving Image]] in [[London]] named their exhibition celebrating the programme "Behind the Sofa". The electronic [[Doctor Who theme music|theme music]] too was perceived as eerie, novel, and frightening, at the time. A 2012 article placed this childhood juxtapose of fear and thrill "at the center of many people's relationship with the show",<ref>[http://io9.com/5971113/if-you-werent-scared-of-doctor-who-as-a-child-you-may-never-fully-understand-it If you weren't scared of Doctor Who as a child, you missed out on a crucial experience] - IO9, by Charlie Jane Anders, 2012-12-25</ref> and a 2011 online vote at [[Digital Spy]] deemed the series the "scariest TV show of all time".<ref>[http://www.digitalspy.co.uk/tv/s7/doctor-who/tubetalk/a348363/doctor-who-named-scariest-tv-show-of-all-time-your-top-10-revealed.html 'Doctor Who' named scariest TV show of all time: Your Top 10 revealed], digitalspy.co.uk, Catriona Wightman & Morgan Jeffery, 2011-10-31.</ref>
 
A different arrangement was recorded by [[Peter Howell (musician)|Peter Howell]] for [[List of Doctor Who serials#Season 18 (1980–81)|season 18]] (1980), which was in turn replaced by [[Dominic Glynn]]'s arrangement for the season-long serial ''[[The Trial of a Time Lord]]'' in [[List of Doctor Who serials#Season 23 (1986)|season 23]] (1986). [[Keff McCulloch]] provided the new arrangement for the [[Seventh Doctor]]'s era which lasted from [[List of Doctor Who serials#Season 24 (1987)|season 24]] (1987) until the series' suspension in 1989. American composer [[John Debney]] created a new arrangement of [[Ron Grainer]]'s original theme for ''[[Doctor Who (film)|Doctor Who]]'' in 1996. For the return of the series in 2005, [[Murray Gold]] provided a new arrangement which featured [[sampling (music)|samples]] from the 1963 original with further elements added; in the 2005 Christmas episode "[[The Christmas Invasion]]", Gold introduced a modified closing credits arrangement that was used up until the conclusion of the 2007 series.{{cn|date=July 2014}}
During [[Jon Pertwee]]'s [[List of Doctor Who serials#Season 8 (1971)|second series]] as the Doctor, in the serial ''[[Terror of the Autons]]'' (1971), images of murderous plastic dolls, daffodils killing unsuspecting victims, and blank-featured policemen marked the apex of the show's ability to frighten children.<ref>{{cite web|title=BBC – Doctor Who Classic Episode Guide – Terror of the Autons|url=http://www.bbc.co.uk/doctorwho/classic/episodeguide/terrorautons/detail.shtml|publisher=BBC|accessdate=25 October 2013}}</ref> Other notable moments in that decade include a disembodied brain falling to the floor in ''[[The Brain of Morbius]]''<ref>{{cite web|title=Doctor Who Classic Episode Guide – The Brain of Morbius|url=http://www.bbc.co.uk/doctorwho/classic/episodeguide/brainmorbius/detail.shtml|publisher=BBC|accessdate=25 October 2013}}</ref> and the Doctor apparently being drowned by Chancellor Goth in ''[[The Deadly Assassin]]'' (both 1976).<ref>{{cite web|title=BBC – Doctor Who Classic Episode Guide – The Deadly Assassin|url=http://www.bbc.co.uk/doctorwho/classic/episodeguide/deadlyassassin/detail.shtml|publisher=BBC|accessdate=25 October 2013}}</ref>
 
A new arrangement of the theme, once again by Gold, was introduced in the 2007 Christmas special episode, "[[Voyage of the Damned (Doctor Who)|Voyage of the Damned]]"; Gold returned as composer for the 2010 season.<ref>{{cite web |url=http://gallifreynewsbase.blogspot.com/2010/01/murray-gold-returns.html |title=Murray Gold Returns |date=3 January 2010 |work=Doctor Who News Page}}</ref> He was responsible for a new version of the theme which was reported to have had a hostile reception from some viewers.<ref>{{cite web|url=http://www.telegraph.co.uk/culture/tvandradio/doctor-who/7603262/Doctor-Who-nasty-new-theme-tune-angers-fans.html|title=Doctor Who: 'nasty' new theme tune angers fans|publisher=The Daily Telegraph|date=18 April 2010|accessdate=20 May 2010}}</ref> In 2011, the theme tune charted at number 228 of radio station Classic FM's Hall of Fame, a survey of classical music tastes. A revised version of Gold's 2010 arrangement had its debut over the opening titles of the 2012 Christmas special "[[The Snowmen]]", and a further revision of the arrangement was made for the 50th Anniversary special "[[The Day of the Doctor]]" in November 2013.{{cn|date=July 2014}}
[[File:TARDIS2.jpg|thumb|The fibreglass [[TARDIS]] prop used between 1980 and 1989.]]
A BBC audience research survey conducted in 1972 found that, by their own definition of violence ("any act[s] which may cause physical and/or psychological injury, hurt or death to persons, animals or property, whether intentional or accidental") ''Doctor Who'' was the most violent of the drama programmes the corporation produced at the time.<ref name="times-violence">{{cite news|title=Violence is not really Dr Who's cup of tea|work=The Times|first=Philip|last=Howard|date=29 January 1972|page=2}}</ref> The same report found that 3% of the surveyed audience regarded the show as "very unsuitable" for family viewing.<ref name="times-audience">{{cite news|title=The Times Diary&nbsp;— Points of view|work=The Times|date=27 January 1972|page=16}}</ref> Responding to the findings of the survey in ''[[The Times]]'' newspaper, journalist Philip Howard maintained that, "to compare the violence of ''Dr Who'', sired by a horse-laugh out of a nightmare, with the more realistic violence of other television series, where actors who look like human beings bleed paint that looks like blood, is like comparing [[Monopoly (game)|Monopoly]] with the property market in London: both are fantasies, but one is meant to be taken seriously."<ref name="times-violence"/>
 
Versions of the "Doctor Who Theme" have also been released as pop music over the years. In the early 1970s, Jon Pertwee, who had played the Third Doctor, recorded a version of the Doctor Who theme with spoken lyrics, titled, "Who Is the Doctor".<ref group=note>Often mistitled "I am the Doctor" on YouTube uploads. Originally released as a 7" vinyl single, plain sleeve, December 1972 on label Purple PUR III</ref> In 1978 a disco version of the theme was released in the UK, Denmark and Australia by the group Mankind, which reached number 24 in the UK charts. In 1988 the band The Justified Ancients of Mu Mu (later known as [[The KLF]]) released the single "[[Doctorin' the Tardis]]" under the name The Timelords, which reached No. 1 in the UK and No. 2 in Australia; this version incorporated several other songs, including "Rock and Roll Part 2" by [[Gary Glitter]] (who recorded vocals for some of the CD-single remix versions of "Doctorin' the Tardis").<ref name="guardianmusic">{{cite news |url=http://blogs.guardian.co.uk/music/2008/07/doctor_who_a_musical_force.html |title=Doctor Who: a musical force? |accessdate=7 July 2008 |last=Peel |first=Ian |date=7 July 2008 |work=The Guardian |publisher=blog | location=London}}</ref> Others who have covered or reinterpreted the theme include [[Orbital (band)|Orbital]],<ref name="guardianmusic" /> [[Pink Floyd]],<ref name="guardianmusic" /> the Australian string ensemble [[FourPlay Electric String Quartet|Fourplay]], New Zealand punk band [[Blam Blam Blam]], [[The Pogues]], [[Thin Lizzy]], [[Dub Syndicate]], and the comedians [[Bill Bailey]] and [[Mitch Benn]], and it and obsessive fans were satirised on ''[[The Chaser's War on Everything]]''. The theme tune has also appeared on many compilation CDs and has made its way into mobile phone ring tones. Fans have also produced and distributed their own remixes of the theme. In January 2011 the Mankind version was released as a [[music download|digital download]] on the album ''Gallifrey And Beyond''.
The image of the [[TARDIS]] has become firmly linked to the show in the public's consciousness; BBC scriptwriter [[Anthony Coburn]], who lived in the resort of [[Herne Bay, Kent]], was one of the people who conceived the idea of a police box as a time machine.<ref>{{cite web|url=http://www.bbc.co.uk/news/uk-england-kent-13411516|title=Doctor Who fan in tardis replica plan for Herne Bay|publisher=BBC|accessdate=31 July 2013}}</ref> In 1996, the BBC applied for a trade mark to use the TARDIS' blue [[police box]] design in merchandising associated with ''Doctor Who''.<ref>{{cite web |url=http://www.ipo.gov.uk/tmcase/Results/1/UK00002104259 |title=Case details for Trade Mark UK00002104259 |accessdate=27 October 2013 |work=[[Intellectual Property Office (United Kingdom)|UK Patent Office]]}}</ref> In 1998, the Metropolitan Police Authority filed an objection to the trade mark claim; but in 2002, the [[Intellectual Property Office (United Kingdom)|Patent Office]] ruled in favour of the BBC.<ref>{{cite web |url=http://www.patent.gov.uk/tm/t-decisionmaking/t-challenge/t-challenge-decision-results/t-challenge-decision-results-bl?BL_Number=O/336/02 |title=Trade mark decision |accessdate=17 January 2007 |work=[[UK Intellectual Property Office|UK Patent Office]] website}}<br />{{cite web |url= http://www.patent.gov.uk/tm//legal/decisions/2002/o33602.pdf |title=In the matter of application No. 2104259 by The British Broadcasting Corporation to register a series of three marks in Classes 9, 16, 25 and 41 AND IN THE MATTER OF Opposition thereto under No. 48452 by The Metropolitan Police Authority |accessdate=17 January 2007 |last=Knight |first=Mike |work=[[UK Intellectual Property Office|UK Patent Office]]|format=PDF}}<br />{{cite news |url=http://news.bbc.co.uk/1/hi/entertainment/tv_and_radio/2352743.stm |title=BBC wins police Tardis case |accessdate=17 January 2007 |date=23 October 2002 |publisher=BBC News}}</ref>
 
===Incidental music===
The programme's broad appeal attracts audiences of children and families as well as [[science fiction fandom|science fiction fans]].<ref>{{cite news |first=Sam |last=Leith |title=Worshipping Doctor Who from behind the sofa |url= http://www.telegraph.co.uk/opinion/main.jhtml?xml=/opinion/2008/07/05/do0502.xml |work=The Daily Telegraph | location=London |date=4 July 2008 |accessdate=7 July 2008|archiveurl=http://web.archive.org/web/20080706030948/http://www.telegraph.co.uk/opinion/main.jhtml?xml=/opinion/2008/07/05/do0502.xml|archivedate=6 July 2008}}</ref>
{{Main|List of music featured on Doctor Who}}
{{See also|List of Doctor Who music releases}}
Most of the innovative incidental music for ''Doctor Who'' has been specially commissioned from freelance composers, although in the early years some episodes also used [[Royalty free music|stock music]], as well as occasional excerpts from original recordings or [[cover version]]s of songs by popular music acts such as [[The Beatles]] and [[The Beach Boys]]. Since its 2005 return, the series has featured occasional use of excerpts of pop music from the 1970s to the 2000s.
 
The incidental music for the first ''Doctor Who'' adventure, ''An Unearthly Child'', was written by [[Norman Kay (composer)|Norman Kay]]. Many of the stories of the [[William Hartnell]] period were scored by electronic music pioneer [[Tristram Cary]], whose ''Doctor Who'' credits include ''The Daleks'', ''[[Marco Polo (Doctor Who)|Marco Polo]]'', ''The Daleks' Master Plan'', ''The Gunfighters'' and ''[[The Mutants]]''. Other composers in this early period included [[Richard Rodney Bennett]], [[Carey Blyton]] and [[Geoffrey Burgon]].
The 21st century revival of the programme has become the centrepiece of BBC One's Saturday schedule, and has, "defined the channel".<ref>{{cite news |first=James |last=Robinson |title=Television's Lord of prime time awaits his next regeneration |url=http://observer.guardian.co.uk/business/story/0,,2036415,00.html |work=The Observer|date=18 March 2007 |accessdate=19 March 2007 | location=London}}</ref> Since its return, ''Doctor Who'' has consistently received high ratings, both in number of viewers and as measured by the [[Appreciation Index]].<ref>{{cite news |first=Andrew |last=Pettie |title=Casting Matt Smith shows that Doctor Who is a savvy multi-million pound brand |url=http://www.telegraph.co.uk/culture/tvandradio/4094067/Casting-Matt-Smith-shows-that-Doctor-Who-is-a-savvy-multi-million-pound-brand.html |work=The Daily Telegraph | location=London |date=4 January 2009 |accessdate=4 January 2009}}</ref> In 2007, [[Caitlin Moran]], television reviewer for ''[[The Times]]'', wrote that ''Doctor Who'' is, "quintessential to being British".<ref name="Moran" /> Director [[Steven Spielberg]] has commented that, "the world would be a poorer place without ''Doctor Who''".<ref>{{cite news|url=http://blogs.guardian.co.uk/organgrinder/2008/08/steven_moffat_dont_rule_out_do.html|title=Edinburgh TV Festival 2008: don't rule out Doctor Who feature film, says Steven Moffat|first=Ben|last=Dowell|work=The Guardian |date=23 August 2008|accessdate=23 August 2008 | location=London}}</ref>
 
The most frequent musical contributor during the first 15 years was [[Dudley Simpson]], who is also well known for his theme and incidental music for ''[[Blake's 7]]'', and for his haunting theme music and score for the original 1970s version of ''[[The Tomorrow People]]''. Simpson's first ''Doctor Who'' score was ''[[Planet of Giants]]'' (1964) and he went on to write music for many adventures of the 1960s and 1970s, including most of the stories of the Jon Pertwee/Tom Baker periods, ending with ''[[The Horns of Nimon]]'' (1979). He also made a [[cameo appearance]] in ''The Talons of Weng-Chiang'' (as a [[Music hall]] conductor).
On 4 August 2013, a live programme titled ''Doctor Who Live: The Next Doctor'' was broadcast on BBC One, during which the actor playing the Twelfth Doctor was revealed.<ref>{{cite web|url=http://www.bbc.co.uk/news/entertainment-arts-23531724|title=New Doctor Who star to be unveiled|accessdate=3 August 2013|date=2 August 2013|publisher=BBC}}</ref> The show was simultaneously broadcast in the US and Australia.<ref>{{cite web|url=http://www.heraldscotland.com/news/home-news/from-spin-doctor-to-doctor-who-stars-childhood-dream-comes-true.21792902|title=From spin doctor to Doctor Who&nbsp;... star's childhood dream comes true|date=5 August 2013|accessdate=18 August 2013|publisher=HeraldScotland}}</ref>
 
In 1980 starting with the serial ''[[The Leisure Hive]]'' the task of creating incidental music was assigned to the Radiophonic Workshop. [[Paddy Kingsland]] and [[Peter Howell (musician)|Peter Howell]] contributed many scores in this period and other contributors included [[Roger Limb]], [[Malcolm Clarke]] and [[Jonathan Gibbs (composer)|Jonathan Gibbs]].
 
The Radiophonic Workshop was dropped after 1986's ''[[The Trial of a Time Lord]]'' series, and [[Keff McCulloch]] took over as the series' main composer until the end of its run, with [[Dominic Glynn]] and [[Mark Ayres]] also contributing scores.
 
All the incidental music for the 2005 revived series has been composed by [[Murray Gold]] and [[Ben Foster (orchestrator)|Ben Foster]] and has been performed by the [[BBC National Orchestra of Wales]] from the 2005 Christmas episode "[[The Christmas Invasion]]" onwards. A concert featuring the orchestra performing music from the first two series took place on 19 November 2006 to raise money for Children in Need. David Tennant hosted the event, introducing the different sections of the concert. Murray Gold and [[Russell T Davies]] answered questions during the interval and [[Dalek]]s and [[Cyberman|Cybermen]] appeared whilst music from their stories was played. The concert aired on [[BBC Red Button|BBCi]] on Christmas Day 2006. A [[Doctor Who Prom (2008)|Doctor Who Prom]] was celebrated on 27 July 2008 in the [[Royal Albert Hall]] as part of the annual [[BBC Proms]]. The BBC Philharmonic and the [[London Philharmonic Choir]] performed Murray Gold's compositions for the series, conducted by Ben Foster, as well as a selection of classics based on the theme of space and time. The event was presented by [[Freema Agyeman]] and guest-presented by various other stars of the show with numerous monsters participating in the proceedings. It also featured the specially filmed mini-episode "[[Music of the Spheres (Doctor Who)|Music of the Spheres]]", written by Russell T Davies and starring David Tennant.<ref>{{cite web
| date = 27 July 2008
| url = http://www.bbc.co.uk/proms/2008/whatson/2707.shtml
| title = BBC Prom 27 July 2008
|publisher=BBC
| accessdate =29 September 2008
}}</ref>
 
Six soundtrack releases have been released since 2005. The [[Doctor Who: Original Television Soundtrack|first]] featured tracks from the first two series,<ref>{{cite web
| date = 17 July 2006
| url = http://www.bbc.co.uk/doctorwho/news/cult/news/drwho/2006/07/17/33953.shtml
| title = Who soundtrack soon
|publisher=BBC
| accessdate =4 August 2006
}}{{dead link|date=July 2011}}<br />{{cite web
| date = 1 November 2006
| url = http://www.silvascreen.co.uk/news.htm
▲| archiveurl = http://web.archive.org/web/2007021108001820061212205542/http://www.museumsilvascreen.tv/archives/etv/D/htmlD/doctorwhoco.uk/doctorwhonews.htm
▲| archivedate = 1112 FebruaryDecember 20072006
| title = Silva Screen announces Doctor Who CD release date
| publisher = silvascreen.co.uk
| accessdate =4 December 2006
}}</ref> the [[Doctor Who: Original Television Soundtrack - Series 3|second]] and [[Doctor Who: Original Television Soundtrack - Series 4|third]] featured music from the third and fourth series respectively. The [[Doctor Who: Original Television Soundtrack - Series 4: The Specials|fourth]] was released on 4 October 2010 as a two disc special edition and contained music from the 2008–2010 specials (''[[The Next Doctor]]'' to ''[[The End of Time|End of Time Part 2]]'').<ref>{{cite web|title=DOCTOR WHO – SERIES 4 Murray Gold|url=http://silvascreenmusic.greedbag.com/buy/doctor-who-series-3/|publisher=Silva Screen Music|accessdate=6 September 2013}}</ref><ref>{{cite web|title=DOCTOR WHO: SERIES 4-THE SPECIALS Murray Gold|url=http://silvascreenmusic.greedbag.com/buy/doctor-who-series-4-the-specials-0/|publisher=Silva Screen Music|accessdate=6 September 2013}}</ref> The [[Doctor Who: Original Television Soundtrack - Series 5|soundtrack for Series 5]] was released on 8 November 2010.<ref>{{cite web|title=Doctor Who Series 5 Original TV Soundtrack (Music CD)|url=http://www.bbcshop.com/doctor-who/doctor-who-series-5-original-tv-soundtrack-music-cd/invt/silcd1345|publisher=|publisher=BBC|accessdate=6 September 2013}}</ref> In February 2011, a soundtrack was released for the 2010 Christmas special: "A Christmas Carol",<ref>{{cite web|title=Doctor Who: A Christmas Carol (Soundtrack)|url=http://www.bbcshop.com/doctor-who/doctor-who-a-christmas-carol-soundtrack/invt/silcd1360|publisher=BBC|accessdate=6 September 2013}}</ref> and in December 2011 the [[Doctor Who: Original Television Soundtrack - Series 6|soundtrack for Series 6]] was released, both by Silva Screen Records.<ref>{{cite web|title=Doctor Who: Series 6 (Soundtrack)|url=http://www.bbcshop.com/soundtracks/doctor-who-series-6-soundtrack/invt/silcd1375|publisher=BBC|accessdate=6 September 2013}}</ref>
 
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