Gambar foto: Perbezaan antara semakan

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{{main|Sejarah fotografi}}
 
TheGambar firstfoto permanentkekal photographyang waspertama madedicipta inpada [[1825]] byolah apereka French inventor[[Perancis]], [[Joseph Nicéphore Niépce]], buildingyang onmendasarkan arekaannya discoverypada bypenemuan [[Johann Heinrich Schultz]] (1724):, thatiaitu acampuran silver[[perak]] anddan chalk[[kapur]] mixturemenjadi darkensgelap underapabila exposuredidedahkan topada lightcahaya. Niépce anddan [[Louis Daguerre]] refinedkemudian thismenghalusi process.proses Daguerreini, discovereddengan thatDaguerre exposingmenemui thebahawa silverpendedahan firstperkara topada iodinewap vapor,[[iodin]] beforelebih exposuredahulu tosebelum light,mendedahkannya andpada thencahaya tolalu mercurypada fumeswasap after[[raksa]] theselepas photographgambar wasfoto taken,diambil coulddapat formmembentuk aimej latent image; bathingpendam. theMerendam plateplat inke adalam saltrendaman bathgaram thenmenetapkan fixes the imageimej. TheseGagasan ideasitulah ledyang to the famousmenghasilkan [[daguerreotypedagereotaip]] yang termasyhur.
 
Bagaimanapun, dagereotaip itu mempunyai masalah sendiri, khususnya kerapuhan gambarnya serta juga kerana ia merupakan proses positif sahaja dan justera, tidak dapat dicetak semula. Oleh itu, pereka yang lain mencari-cari proses yang lebih baik. Sebilangan proses diperkenalkan dan digunakan untuk tempoh yang singkat antara imej pertama Niépce dan pengenalan [[proses kolodion]] pada [[1858]].
The daguerreotype had its problems, notably the fragility of the resulting picture, and that it was a positive-only process and thus could not be re-printed. Inventors set about looking for improved processes that would be more practical. Several processes were introduced and used for a short time between Niépce's first image and the introduction of the [[collodion process]] in 1848. Collodion-based wet-glass plate negatives with prints made on [[Albumen print|albumen paper]] remained the preferred photographic method for some time, even after the introduction of the even more practical [[gelatin process]] in 1871. Adaptations of the gelatin process have remained the primary [[black-and-white]] photographic process to this day, differing primarily in the film material itself, originally glass and then a variety of [[Photographic film|flexible films]].
 
The daguerreotype had its problems, notably the fragility of the resulting picture, and that it was a positive-only process and thus could not be re-printed. Inventors set about looking for improved processes that would be more practical. Several processes were introduced and used for a short time between Niépce's first image and the introduction of the [[collodion process]] in 1848. Collodion-based wet-glass plate negatives with prints made on [[Albumen print|albumen paper]] remained the preferred photographic method for some time, even after the introduction of the even more practical [[gelatin process]] in 1871. Adaptations of the gelatin process have remained the primary [[black-and-white]] photographic process to this day, differing primarily in the film material itself, originally glass and then a variety of [[Photographic film|flexible films]].
 
Color photography is almost as old as black-and-white, with early experiments dating to [[John Herschel]]'s experiments with [[Anthotype]] from 1842, and [[Lippmann plate]] from 1891. Color photography became much more popular with the introduction of [[Autochrome Lumière]] in 1903, which was replaced by [[Kodachrome]], [[Ilfochrome]] and similar processes. For many years these processes were used almost exclusively for transparencies (in [[slide projector]]s and similar devices), but color prints became popular with the introduction of the [[Chromogenic]] negative, which is the most-used system in the [[C-41 process]]. The needs of the movie industry have also introduced a host of special-purpose systems, perhaps the best-known being the now rare [[Technicolor]].