Wikipedia

Lee Krasner

Lenna Krasner atau Lenore "Lee" Krasner (27 Oktober 1908 - 19 Jun 1984) ialah seorang pelukis abstrak ekspresi, yang dikenali secara meluas sebagai isteri Jackson Pollock. Hubungan mereka sebagai pasangan suami-isteri dilihat dari pengaruh masing-masing kepada karya pasangannya.[1]

Lee Krasner
Kelahiran
Lenore Krassner

(1908-10-27)27 Oktober 1908
Brooklyn, New York, A.S.
Meninggal duniaJun 19, 1984(1984-06-19) (umur 75)
New York City, New York, A.S.
PendidikanCooper Union
National Academy of Design
Hans Hofmann
Terkenal keranaLukisan, kolaj
Gerakan politikEkspresi abstrak
PasanganJackson Pollock (k. 1945; m. 1956)

Selain pengaruhnya kepada Polloc, Lee Krasner juga dikenali kerana pengaruhnya terhadap dunia lukisan abad ke-20 dengan memperkenalkan peralihan ke lukisan abstrak. Lukisan-lukisannya dijual dengan harga tinggi. Beliau juga termasuk salah seorang dari segelintir wanita yang masuk ke Museum of Modern Art.[1]

Rujukan sunting

  1. ^ a b Reframing Lee Krasner, the artist formerly known as Mrs Pollock. dari situs the guardian

Bacaan lanjut sunting

  • Cheim, John. Lee Krasner: Paintings from 1965 to 1970. New York: Robert Miller, 1991.
  • Gabriel, Mary. Ninth Street Women: Lee Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell, and Helen Frankenthaler: five painters and the movement that changed modern art. New York: Little, Brown and Company, 2018
  • Haxall, Daniel. "Collage and the Nature of Order: Lee Krasner's Pastoral Vision", Woman's Art Journal, Vol. 28, No. 2 (Fall-Winter 2008): 20-27. JSTOR. Web.
  • Herskovic, Marika. American Abstract and Figurative Expressionism Style Is Timely Art Is Timeless (New York School Press, 2009.) ISBN 978-0-9677994-2-1. p. 144-147
  • Herskovic, Marika. American Abstract Expressionism of the 1950s An Illustrated Survey, (New York School Press, 2003.) ISBN 0-9677994-1-4. p. 194-197
  • Herskovic, Marika. New York School Abstract Expressionists Artists Choice by Artists, (New York School Press, 2000.) ISBN 0-9677994-0-6. p. 16; p. 37; p. 210-213
  • Hobbs, Robert. Lee Krasner. New York: Abbeville Press, 1993.
  • Hobbs, Robert. "Lee Krasner's Skepticism and Her Emergent Postmodernism", Woman's Art Journal, Vol. 28, No.2, (Fall-Winter 2008): 3 – 10. JSTOR. Web.
  • Howard, Richard and John Cheim. Umber Paintings, 1959–1962. New York: Robert Miller Gallery, 1993. ISBN 0-944680-43-7
  • Kleeblatt, Norman L., and Stephen Brown. From the Margins: Lee Krasner|Norman Lewis, 1945 - 1952 . New York: Jewish Museum, 2014.
  • Landau, Ellen G. "Channeling Desire: Lee Krasner's Collages of the Early 1950s", Woman's Art Journal, Vol. 18, No. 2 (Autumn, 1997 – Winter, 1998): 27 – 30. JSTOR. Web.
  • Levin, Gail. "Beyond the Pale: Lee Krasner and Jewish Culture", Woman's Art Journal, Vol. 28, No.2 (Fall-Winter 2008): 28 – 44. JSTOR. Web.
  • Levin, Gail. Lee Krasner: A Biography. (New York: HarperCollins 2012.) ISBN 0-0618-4527-2
  • Pollock, Griselda, Killing Men and Dying Women. In: Orton, Fred and Pollock, Griselda (eds), Avant-Gardes and Partisans Reviewed. London: Redwood Books, 1996. ISBN 0-7190-4398-0
  • Robertson, Bryan; Robert Miller Gallery New York, Lee Krasner Collages (New York : Robert Miller Gallery, 1986)
  • Robertson, Bryan. Lee Krasner, Collages. New York: Robert Miller Gallery, 1986.
  • Rose, Barbara. Krasner|Pollock: A Working Relationship. New York: Grey Art Gallery and Study Center, 1981.
  • Rose, Barbara. Lee Krasner: a retrospective Lee Krasner: A Retrospective] (Houston : Museum of Fine Arts ; New York : Museum of Modern Art, ©1983.) ISBN 0-87070-415-X
  • Strassfield, Christina Mossaides. Lee Krasner: The Nature of the Body—Works from 1933 to 1984. East Hampton: Guild Hall Museum, 1995.
  • Tucker, Marcia. Lee Krasner: Large Paintings. New York: Whitney Museum of American Art, 1973.
  • Wagner, Anne. "Lee Krasner as L.K.", Representations, No. 25 (Winter 1989): 42 – 57. JSTOR. Web. 17 March 2015.

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